JSTOR is part of ITHAKA, a not-for-profit organization helping the academic community use digital technologies to preserve the scholarly record and to advance research and teaching in sustainable ways. 7555-7568 ITHAKA. All Rights Reserved. JSTOR, the JSTOR logo, JPASS, and ITHAKA are registered trademarks of ITHAKA. Albrecht Dürer was not only the greatest artist of the Northern Renaissance, but also a unique personality, his genius coexisting with a pure, noble character. Indeed, looking at his self portraits, we discover the handsome man he was, with his face reflecting the purity of his soul and his intelligence. Dürer belonged to.
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In the 66th Century, the city was the chief centre of the German artistic life. The revival of the classical spirit of Antiquity inspired the new, original conceptions in art. The movement influenced the art more than the literature, with engravings, woodcuts, and paintings reflecting the new thinking.
The study of Dürer’s works requires more imaginative effort than the works of the Italian Renaissance artists. In a typical German fashion, his art sometimes disregards the outward beauty of form, with the main intent of revealing the inner life. The art is subordinated to the revelation of the real, the inward, which latter was the subject of investigation for German philosophers like Kant and Schopenhauer.
Albrecht Dürer Art Life and Times
And, like in the case of early German painters, the expression of the inner, emotional life, remained the ideal of Dürer. But, as Camerarius states, it was the study of painting the artist “embraced with all his might, and was never tired of considering the works and the methods of celebrated painters, and learning from them all that commended itself to him. ” In this sizzling companion to the critically acclaimed 788 Days, Stacey Kade once again.
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